|
address completion date type editor |
| material No. |
|
Nakahechi-cho,Nishimuro-gun,Wakayama 1997 Masaaki Kobayashi |
 |
 |
 |
04 | 05 | 06 | 07 |
| The contrast in inorganic respect and dopy, soft respect is impressive. The name of the museum is printed as it is as a sign, and the function of the showroom and the seen museum is hinted. |
| （Masaaki Kobayashi） |
| The glass side makes person's movement in the museum come to the surface as a silhouette naturally vastly peripheral like the lantern which comes dimly to the surface. The indoor wall, the floor side, and the aspect are waited, and an abstract space which loses the material feeling is formed. |
| （Masaaki Kobayashi） |
| An original material feeling of the stone disappears, and the ceiling side, the wall, and the impression which has assimilated are given. A soft expression is caused naturally peripheral by a surrounding material and having been effectively combined. |
| （Masaaki Kobayashi） |